The idea of taking vows during weddings is not part of Hindu traditions. This idea comes to us from West Asia and the Middle East…
Across India there are festivals where men and sometimes women do hook swinging. Here, an iron hook is passed through the back of the person and they are hung from a pole that either rotates around a pillar or is attached to a pillar of a cart that is pulled by buffaloes. This is not…
In Shiva temples, the couple are always together, but in Vishnu temples, the goddess has her separate shrine, asserting her identity…
The Thai and Cambodian Ramayanas developed between the medieval and early modern periods as court-centred narratives shaped by performance, visual art, and Buddhist ethics. Though they share a common source, they reinterpret the story through parallel but contrasting treatments of kingship, heroes, villains, and moral order…
India is not just Vedas and Puranas. India is also Bhil, Gond, Santhal, Khasi, Banjara, Dhangar, Koli, Toda, Rabari, Munda, Nicobarese, and Lepcha. …
There are two forms of Hanuman. In one he sits at the feet of Ram, an obedient assistant. This is Ram-dasa Hanuman. In the other, he stands alone, displaying ten hands and four extra heads: that of a lion, an eagle, a wild boar and a horse. This is Maha-bali Hanuman. …
The name Badrinath carries a quiet ecological memory. Badri means the berry (Ziziphus mauritiana), or jujube tree. Nath means lord. …
Across India, the most familiar image of prosperity is Lakshmi flanked by two elephants pouring water over her. We see this in homes, shops, banks, and even in modern advertising. But few pause to ask why elephants stand beside the goddess of wealth. Why not cows, horses, lions or birds? …
From early Vedic times, the sun is also tied to humanity and death. Surya has two sons who frame the human condition. Manu is the father of humankind, lawgiver, and culture hero…His brother Yama embodies the opposite destiny…
The bar-headed goose (hansa) is a key cultural symbol of India, along with other waterfowl such as the sarus crane (krauncha), ruddy shelduck (chakravaka) and crane (baga, bagula). This list excludes the swan (raj-hansa), which is European, not Indian. But somewhere in the last two centuries, the Indian goose was eclipsed…
Once upon a time, the earth-goddess Bhumi was dragged under the sea by an asura called Hiranayaksha. Vishnu took the form of Varaha, killed Hiranayaksha, placed Bhumi on his snout, raised her up and thus rescued the earth-goddess. …
Sun Tzu, the author of The Art of War, and Kautilya, the author of the Arthashastra. Both wrote for rulers and generals who were constantly at war. Both believed that power was too important to be left to emotion, impulse or heroism. Both wanted to discipline rulers and professionalise the business of war. …
In India, salt is not just a mineral. It is a magical substance that not only enhances the taste of food, but also protects the body from ‘nazar’ or evil eye…
Varuna is one of the most ancient gods of the Vedic pantheon. In the Rig Veda, he is majestic, distant, and terrifying. He sits above the world, ruler of the sky and the ocean, guardian of the cosmic law called rta. He sees everything. Nothing escapes him. …
There is absolutely no historical evidence that a man called Chanakya ever lived during Mauryan times (300 BC) or that he guided Chandragupta Maurya to kingship. …
In recent years, there has been a growing clash between ‘Sanatani mythology’ and ‘Dalit mythology’. During the festival season last month, a well-known Dalit activist argued that the worship of Durga is nothing but the celebration of an Aryan invasion of Dravidian lands. In his retelling, Mahishasur, the buffalo demon, represents dark-skinned Dravidians while Durga…