Once upon a time, the earth-goddess Bhumi was dragged under the sea by an asura called Hiranayaksha. Vishnu took the form of Varaha, killed Hiranayaksha, placed Bhumi on his snout, raised her up and thus rescued the earth-goddess. …
Sun Tzu, the author of The Art of War, and Kautilya, the author of the Arthashastra. Both wrote for rulers and generals who were constantly at war. Both believed that power was too important to be left to emotion, impulse or heroism. Both wanted to discipline rulers and professionalise the business of war. …
In India, salt is not just a mineral. It is a magical substance that not only enhances the taste of food, but also protects the body from ‘nazar’ or evil eye…
Varuna is one of the most ancient gods of the Vedic pantheon. In the Rig Veda, he is majestic, distant, and terrifying. He sits above the world, ruler of the sky and the ocean, guardian of the cosmic law called rta. He sees everything. Nothing escapes him. …
There is absolutely no historical evidence that a man called Chanakya ever lived during Mauryan times (300 BC) or that he guided Chandragupta Maurya to kingship. …
In recent years, there has been a growing clash between ‘Sanatani mythology’ and ‘Dalit mythology’. During the festival season last month, a well-known Dalit activist argued that the worship of Durga is nothing but the celebration of an Aryan invasion of Dravidian lands. In his retelling, Mahishasur, the buffalo demon, represents dark-skinned Dravidians while Durga…
With the victory of Zohran Mamdani as mayor of New York City, a man with a Muslim name, an African past and an Indian lineage, the American-Christian establishment suddenly feels threatened. …
Diwali is the Prakrit way of saying Deepavali, a Sanskrit word meaning ‘the festival of lights’. This festival has been increasingly dominated by a single Hindi-belt narrative: that it commemorates the Rama’s return to Ayodhya after his forest-exile. But Diwali is also about Krishna, and Yama, and Lakshmi, and Bali…
A few decades before the Chola king Rajaraja I built the Brihadeeswara Temple in Tamil Nadu, around 1000 AD, a Khmer king called Jayavarman IV had begun building a temple to replicate the Kailasa mountain in Cambodia, at Koh Ker, complete with a tank that would replicate the river Ganga. …
Marxist movements have always aligned with groups seen as oppressed by capitalist regimes. On one side, progressive left voices (e.g., queer activists, gender-fluid theorists) proclaim ‘no binaries, no genders.’ On the other, Marxist solidarity movements justify or ignore homophobia when practiced by anti-capitalist or anti-imperialist groups. Thus, a contradiction emerges: Oppressed peoples are granted the…
Hindu mythology expresses personal transformation of leaders through three archetypes: Indra, Shiva and Vishnu. The worlds they create are Swarga, Kailasa and Vaikuntha…
Indian history shapes Hindu myth and Hindu myth shapes Indian history…
Where there is pursuit of food, there is hunger. Where there is hunger there is competition, collaboration, success and failure. …
Coiled serpents and inter-twined conjugal serpent pairs appear as sacred symbols on Hindu temple walls. They reflect sacred ideas from beyond the Vedic world, where communities venerated serpent groves, filled with termite mounds, which served as entrances to a subterranean world of magical beings — the Naga, serpents with hoods, multiple heads, and the magical…
Most historians do not understand myths. They confuse it with fiction. Myths need to be distinguished from other kind of stories that shapes human culture…
Historians who refer to myth as ‘fiction’ do a great disservice to humanity. It reveals their inability to separate faith from different types of fiction: parables, propaganda, and fantasy. …