June 15, 2016

First published June 14, 2016

 in Speaking Tree

Doesn’t Shiva take drugs?

Published on 15th June, 2016, in Speaking Tree.

Many young people adore Shiva as a ‘cool dude’. Why? Because he is visualised as being indifferent to other people’s opinions regarding his appearance and lifestyle, and is content being alone, smoking his chillum, full of ganja (ganjika, in Sanskrit), a narcotic made using the flowers of the female cannabis plant, or drinking bhang, a milder narcotic drink made using the leaves of the male cannabis plant.

“If Shiva takes drugs, so must I,” said a student to his teacher. “A good idea,” said the teacher, “but first you must make yourself Shiva, no?” This leads us to the question, who is Shiva and why is he visualised as taking drugs. Are Hindu gods glamorizing drugs? Is that not what draws ‘hippies’ to India?

There is no denying that Shiva is associated with drugs. He smokes ganja. He drinks bhang. In many Tantrik schools, cannabis is said to be the mysterious Soma mentioned in the Vedas, an idea that is vociferously rejected by the Vedantic school that is more puritanical and mainstream.

In Shiva temples, he accepts the venomous and hallucinogenic flowers and fruit of dhatura. As Kal Bhairav, he receives alcohol as offering. Is that why the Puranas tell the story of how Daksha does not allow Shiva to enter his yagna-shala? Yet, Daksha’s daughter, Sati, who is the Goddess, chooses to walk out the yagna-shala and make this ‘impure’ god her husband. What is the mystery?

We can argue that drugs may be part of Shaiva culture but it is not part of Vaishnava culture. But that is not true. Bhang is an important part of rituals in Vishnu temples. It is offered in ‘government-approved’ shops in Puri, Odisha, as well as Nathdvara, Rajasthan, where Krishna is worshipped as Mahaprabhu Jagnnatha and Srinathji Thakur respectively. The bhang is offered to Krishna’s elder brother, Balarama. His image is bathed with it. Balarama is often identified with Shiva. His symbol is the toddy palm, whose sap is used to make a drink that is mildly alcoholic. What are the gods trying to communicate?

To understand this mystery, we have to appreciate how Hinduism divides the world into inside and outside, the home and the wilderness, the realm of the householder and the realm of the hermit. Shiva, like Balarama, is the reluctant householder. Both prefer the wilderness that is associated with cannabis and dhatura, and toddy palms. In this form, they are celibate. They withdraw from all sensory pleasure. The drugs are meant to withdraw. They are thus tools for yoga, not bhoga.

But for most people, drugs are about bhoga, pleasure. Unable to handle social responsibilities and social pressures, feeling pressured by the demands of modern society, feeling misunderstood, alone and unloved, many young people turn to drugs that help them escape from harsh reality and which help them construct a more compliant reality. This drug-taking is more a balm to ease the tensions of life, a crutch born of failure, or rather failure. None of these drug-takers want to be yogis.

Shiva is yogi. He withdraws. Simultaneously he participates, with the Goddess, engaging with the world as Shankara, bringing forth song and dance and stories, as well as a son called Murugan, who protects the world, and another son called Ganesha, who provides for the world. This dual aspect of withdrawal and engagement makes Shiva, Shiva. Until we can become this Shiva, who helps the world, and does not fear it, it is best to stay away from drugs.


Recent Books

  • flowers of india book

    Flower of India: Ways of Seeing the Lotus

    In Flower of India, bestselling author and renowned mythologist Devdutt Pattanaik examines the lotus as one of the most pervasive and resonant symbols of the Indian subcontinent. Through its many avatars—as plant, resource, metaphor, design, and sacred form—he traces how the lotus has shaped India’s cultural imagination across history, religion, art, and everyday life. Concise…

  • astra shastra

    Astra Shastra: Weapons of the Hindu Gods

    Well-known mythologist Devdutt Pattanaik introduces young readers to the wonderful weapons of Hindu gods with his unique art and easy-to-read text…

  • Escape the Bakasura Trap : Let Contentment Fuel Your Growth

    This book re-discovers this path, first revealed by Hanuman in the Mahabharata. Insightful and inspiring, Escape the Bakasura Trap is another classic from one of our great mythologists and thinkers…

  • लंकेश: रावण संग एक रोमांचक यात्रा

    यह पुस्तक भारत के सबसे विख्यात महाकाव्य रामायण और इस कारण भारत के सबसे बड़े खलनायक, रावण, को विस्तार से जानने की राह खोलती है।…

Recent Posts

  • Re-centring the Hindu Goddess

    Re-centring the Hindu Goddess

    Re-centring the goddess is not anti-male. It is pro-ecosystem. It reminds us that festivals are contracts with land, water, animals, and labour — especially women’s labour. When we reduce Diwali to a warrior’s homecoming, we miss Lakshmi’s audit of how we earned, spent, hoarded, and gave. When we make Navaratri a fashion parade, we forget…

  • Today’s Sanatan Dharma prefers ‘trad’ Bhisma

    Today’s Sanatan Dharma prefers ‘trad’ Bhisma

    The Trans Bill signed by the President of India aligns with the commander of the Kauravas, not Krishna. The Kauravas were more aligned to Christian Evangelists, not “woke” Krishna…

  • Narada: the Original Provocateur

    Narada: the Original Provocateur

    Narada is Hindu mythology’s impish, itinerant sage. His presence in a story spells trouble. As a character, he plays a key role. He spotlights our love for gossip, our fragile ego, our competitive spirit, our yearning to measure ourselves against others, our refusal to be content…